Jamaican dancehall star Popcaan has been officially enstooled as Nana Arkoh Kese I in a traditional ceremony held in Ghana’s Aseibu Traditional Area, igniting widespread conversation across the country.
Born Andrae Hugh Sutherland, the internationally acclaimed musician was honoured in a colourful ceremony on Wednesday, 18 February 2026, in the Central Region. Videos circulating on social media showed the artiste actively participating in the customary rites, dressed in yellow and white Ghanaian cloth draped elegantly over his shoulder.
The enstoolment ceremony reflected Ghana’s deep-rooted chieftaincy traditions. Traditional beads and symbolic herbs were placed around Popcaan’s neck and wrists in accordance with customary practices. The event featured libation pouring, rhythmic drumming, and vibrant dancing — hallmarks of Ghanaian cultural celebrations.
A particularly symbolic moment during the ceremony saw elders clad in colourful traditional attire guiding the artiste as he was made to sit on the ceremonial stool three times. In Akan tradition, this act signifies acceptance, installation, and recognition as a chief. Upon completion of the ritual, he was given the stool name Nana Arkoh Kese I.
Throughout the ceremony, Popcaan appeared visibly joyful, embracing the cultural moment and even showcasing his dance moves during an energetic drumming session.
The development quickly sparked debate among Ghanaians on social media, with many questioning the criteria for chieftaincy appointments.
Some users expressed curiosity about the process. One commenter asked whether traditional leadership roles were historically assigned based on status or influence. Another questioned whether anyone could now become a chief in Ghana.
Others defended the decision, pointing to Popcaan’s longstanding connection with the country. A social media user noted that the artiste has reportedly maintained a residence along Wind Bay (Winneba) Road in Cape Coast, suggesting that his ties to Ghana extend beyond brief visits.
Another commenter referenced the late reggae legend Joseph Hill, known for his frequent visits to Ghana in the 2000s, adding that he might have also built a home in the country had he been alive today.
However, some critics raised concerns about youth inclusion in traditional leadership structures, arguing that local young people are sometimes overlooked while foreigners receive honorary titles.
Ghana’s chieftaincy institution remains a respected and influential pillar of society, blending tradition with modern relevance. In recent years, several prominent personalities — both local and international — have been honoured with traditional titles in recognition of their contributions, connections, or support for community development.
Popcaan’s enstoolment reflects the growing cultural exchange between Ghana and the Caribbean, particularly Jamaica, where shared histories rooted in the transatlantic slave trade continue to foster symbolic ties.
While debate continues over eligibility and tradition, the ceremony has undeniably highlighted Ghana’s vibrant cultural heritage and its global appeal. For Popcaan, now Nana Arkoh Kese I, the moment represents not only personal recognition but also a celebration of music, identity, and cross-cultural unity.
